real 3D touch and feel in virtual reality The Challenge Haptic VR? Imagine 3D modelling digitally in a VR space, not only seeing your model with VR’s 3D vision but also being able to touch and feel the substance of your model, it’s hardness/softness, its 3D form and surface quality. We’re delighted to be kicking off 2022 by being one of six new Challenge Projects, supported and funded by Creative Informatics. We are all creative and cultural organisations based across Edinburgh and South East Scotland! Individuals and SMEs that have the skills to provide data-driven solutions to our challenge are invited to respond to this
To 3D print you need a printable digital model. The issue regarding the wherewithall to access 3D print technology is standard 3D design programmes as these are developed primarily for industrial designers requiring complex functionality to design for mass manufacturing processes. Applied artists, like myself, can’t afford the steep learning curves required to master highly complex prescriptive programmes. Not having the wherewithal to create sound 3D digital models to 3D print means that we can’t easily access this amazing technology. Looking for a way into 3D print technologies Colleagues and I researched, designed and created a remarkable 3D modelling tool for applied artists to work
Feedback from designer makers and students confirmed that Anarkik3D Design 3D modelling programme is on the right trajectory as it is focused on providing a straightforward interface and selected functionality, both fundamental to enabling many to finally access 3D print technologies. So many visitors delighted in finding an alternative programme to CAD.
Some of our Anarkik3D Design users have very generously shared their progress and work with us over the years and here we are celebrating Anarkik Creators and their jewellery. More here. Celebrating Anarkik Creators: ANNE EARLS BOYLAN Anne is an established contemporary jeweller and lecturer at Belfast School of Art. She labelled herself a technological illiterate who has bought into Anarkik3D Design. She purchased her kit in January 2018, having participated in the Craft Council UK’s national Make:Shift:Do event we held. The black piece is from Anne’s latest batch of 3D prints designed using our software, 3D printed in polyamide, dyed black. Anne has set moonstones in the pod, with pigmented polyurethane and
Anarkik3D’s object for VADundee’s #myVADundee is, of course, its haptic 3D modelling software and here’s the reasons why: V&A Dundee, as an international centre of design, presents the brilliance of Scottish creativity: Anarkik3D is a young Scottish company that develops world leading haptic enabled software which makes designing in 3D inclusive! What is really remarkable about their 3D modelling product, Anarkik3D Design, is the haptics because haptic means touch! So with Anarkik3D Design you experience the WOW sensation of actually touching and feeling virtual 3D objects and their properties of hardness and softness and use this in designing. The off-the-shelf robot-like haptic device is pretty
Donna Brennan Contemporary is pleased to announce an exciting International Masterclass in London “Intuitive Haptic 3D Digital Modelling” ANARKIK3D DESIGN MASTERCLASS IN LONDON 13 Oct – 14 Oct 2018 with Ann Marie Shillito This intensive Anarkik3D Design Masterclass is geared to the requirements of jewellers, designer makers, applied artists and creative people who want to expand their business by taking advantage of 3D digital designing and 3D printing opportunities but find standard Computer Aided Design (CAD) programmes very intimidating. Led by designer/maker/jeweller Ann Marie Shillito: author of the book ‘Digital Crafts – Industrial Technologies for Applied Artists & Designer Makers’. Ann Marie is CEO of Anarkik3D, which develops 3D modelling
11 month’s ago I headlined a post on my own blog titled “Is a designer ‘cheating’ if they use 3D modelling packages that are incredibly ‘easy to learn and use’?” http://annmarieshillito.wordpress.com/2011/05/16/cloud9-cheating/ The following quote from Nick Grace who runs RapidForm at the Royal College of Art in London is pertinent to my blog point about complexity of process excluding many talented and creative people from using digital tools such as 3D modelling and 3D printing as they do not have the time and resources to begin to learn software of any sort with steep learning curves. Any tool that aids their practice is fair game