3D modelling

A ring, white shank with red and black free-form objects on top. This uniquely different jewellery is by Allison Macleod, created by using Anarkik3DDesign and Rhino together.

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Award winning contemporary digital art jeweller, Allison Macleod, creates uniquely different and exciting jewellery by combining Anarkik3D’s way of 3D modelling (specifically developed to be more intuitive, organic and free-form) with her Rhino CAD programme.

The image shows a few 3D forms created in GravitySketchVR, using the stroke drawing tool and a hand controller to make flowing forms using gestural movements.

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This is a post on Ann Marie Shillito’s personal interest about tacit knowledge and VR for Applied Artists: how we apply our ‘personal’ knowledge to working digitally and in virtual reality (VR). Ann Marie is a jeweller and joined Applied Arts Scotland’s DISTANCE2 Project to investigate ways in which makers could and would want to use immersive technology in their practice and to engage others with their craft practice. The theme that her small supportive group (ALM) focused on is how our tacit knowledge, as makers, enables us within our different disciplines to effectively make use of VR.

Anarkik3D’s fortnightly Wednesday Zoom meet-up for designer makers and applied artists has changed focus. One year on, these will now be by invitation as we move to supporting the people who have either purchased Anarkik3DDesign or are loaning the package on a monthly basis.

To 3D print you need a printable digital model. The issue regarding the wherewithall to access 3D print technology is standard 3D design programmes as these are developed primarily for industrial designers requiring complex functionality to design for mass manufacturing processes. Applied artists, like myself, can’t afford the steep learning curves required to master highly complex prescriptive programmes. Not having the wherewithal to create sound 3D digital models to 3D print means that we can’t easily access this amazing technology. Looking for a way into 3D print technologies Colleagues and I researched, designed and created a remarkable 3D modelling tool for applied artists to workRead More →

Anarkik3D and Calm Technology As a new CEO of Anarkik3D in 2007, I perceived our approach to the development of 3D software as something like this: “Visualise an elegant swan gliding along calmly and effortlessly (a metaphore for our user interface) and under water superbly evolved webbed feet (the programme we build) paddle away relentlessly against the current (general computer applications) to get where it wants to be (a new enjoyable user experience)”. This core principle is the heart of Anarkik3D’s remarkable 3D modelling programme built specifically for designer makers for their way of thinking and doing. Anarkik3DDesign, with virtual 3D touch (haptics) The 3DRead More →

Birgit and Ann Marie giving hands-on demos of haptic 3D modelling to just some of our many visitors at Munich International Handwerk&Design Fair.

Feedback from designer makers and students confirmed that Anarkik3D Design 3D modelling programme is on the right trajectory as it is focused on providing a straightforward interface and selected functionality, both fundamental to enabling many to finally access 3D print technologies. So many visitors delighted in finding an alternative programme to CAD.

Ursula Guttmann: Free form designing created in an ANARKIK3D DESIGN MASTERCLASS/ workshop using this haptic 3D modelling programme.

ANARKIK3D DESIGN MASTERCLASS Q&A: “Intuitive Haptic 3D Digital Modelling” This masterclass was held on 13 Oct – 14 Oct 2018, in London, and run by Ann Marie Shillito. Q. Regarding the Anarkik3D Design Masterclass, what is the difference between a workshop and a Masterclass? A. A workshop is a more general learning environment for explorations within a theme, be that context, material or process. A masterclass is a more intensive learning environment for professionals within a specific discipline and run by an expert in that discipline. This masterclass has more clearly defined outcomes and is structured to achieve these. Ann Marie Shillito, running the masterclass,Read More →

Anarkik3D's object for VADundee’s #myVADundee is its haptic 3D modelling software

Anarkik3D’s object for VADundee’s #myVADundee is, of course, its haptic 3D modelling software and here’s the reasons why: V&A Dundee, as an international centre of design, presents the brilliance of Scottish creativity: Anarkik3D is a young Scottish company that  develops world leading haptic enabled software which makes designing in 3D inclusive! What is really remarkable about their 3D modelling product, Anarkik3D Design, is the haptics because haptic means touch! So with Anarkik3D Design you experience the WOW sensation of actually touching and feeling virtual 3D objects and their properties of hardness and softness and use this in designing. The off-the-shelf robot-like haptic device is prettyRead More →

Donna Brennan Contemporary is pleased to announce an exciting  International Masterclass in London “Intuitive Haptic 3D Digital Modelling” ANARKIK3D DESIGN MASTERCLASS IN LONDON 13 Oct – 14 Oct 2018 with Ann Marie Shillito This intensive Anarkik3D Design Masterclass is geared to the requirements of jewellers, designer makers, applied artists and creative people who want to expand their business by taking advantage of 3D digital designing and 3D printing opportunities but find standard Computer Aided Design (CAD) programmes very intimidating. Led by designer/maker/jeweller Ann Marie Shillito: author of the book ‘Digital Crafts – Industrial Technologies for Applied Artists & Designer Makers’. Ann Marie is CEO of Anarkik3D, which develops 3D modellingRead More →