The people to whom I am talking believe in their expertise, integrity and autonomy as designer makers and applied artists, people who are open to learning new skills and open to the benefits of 3D digital technology: for enhancing their practice, helping make it more sustainable in the longer term – because they are concerned about the impact that climate breakdown is having globally. Hence this post on A 3D Digital Technology Journey: supporting a designer/maker’s more environmentally responsible practice. I am Ann Marie Shillito, a designer maker and jeweller, also co-founder and CEO of Anarkik3D Ltd. I have always been eco conscious. Covid lockdown
Wow! 12 years of Anarkik3DDesign and 3D haptic modelling In a series of over 20 banners we have summed up 12 years of Anarkik3DDesign, starting in 2010 and going through to 2022. Warm thanks go to our generous fellow AnarkikCreators for their permission to use images of their work to both demonstrate the amazing range of forms and objects that are possible with our Anarkik3DDesign haptic 3D modelling programme and promote what they do. Enjoy the scroll down. At the end are notes about why applied artists and designer makers are opting to use Anarkik3DDesign and why haptics is so appropriate for 3D modelling! 12
Anarkik3D is collaborating with Applied Arts Scotland (AAS) to make loaning Anarkik3DDesign, with the haptic device, an affordable 3D modelling option for their Members. The haptic device is essential to this programme as it both enables you to touch and feel in 3D as you manipulate and form your model, and to move the cursor in all directions. The special offer on the monthly loan fee for the package includes the hardware with the haptic 3D modelling software.
This is a post on Ann Marie Shillito’s personal interest about tacit knowledge and VR for Applied Artists: how we apply our ‘personal’ knowledge to working digitally and in virtual reality (VR). Ann Marie is a jeweller and joined Applied Arts Scotland’s DISTANCE2 Project to investigate ways in which makers could and would want to use immersive technology in their practice and to engage others with their craft practice. The theme that her small supportive group (ALM) focused on is how our tacit knowledge, as makers, enables us within our different disciplines to effectively make use of VR.
This is a blog about the explorations of 8 applied artists in Scotland into the potential of using Virtual Reality in their practice. The DISTANCE Project was initiated by Applied Arts Scotland
and the objective craft engagement, about collaborating and sharing experiences and objects in new and exciting ways.
The nationwide ‘Leonardo da Vinci: A Life in Drawing’* exhibitions mark the 500th anniversary of his death. As part of the Ulster Museum‘s programme of events in Belfast, centred around their exhibition of Leonardo’s Drawings’ the Museum’s Education Officer organised workshops on 25th and 26th April on 3D modelling for 3D printing. The two one-day workshops were for teachers, designer makers and students and used Anarkik3D Design haptic 3D modelling programme. Workshop for school teachers The first workshop was for school teachers to experience haptic 3D modelling. The haptic sensation, as 3D virtual touch, makes Anarkik3D Design easy to access as no previous experience of 3D
International Women’s Day, March 2018: Anarkik3D’s CEO, Ann Marie Shillito, who is also an internationally known designer maker/jeweller, is one of 3Ders.org’s 50 influential & inspiring women in 3D printing For the 2nd year, this time for Women’s Day 2018, Anarkik3D’s CEO, Ann Marie Shillito, has been included on 3Ders.org‘s (non-exhaustive) list of influential women in the 3D printing industry that Tess Boissonneault compiled on 8th March. 3Ders provides the latest news about 3D printing technology and 3D printers. It is now six years old and has around 1.5 million unique visitors per month. “In light of the ongoing struggles for women in tech, 3Ders